I've recently decided that I miss writing about music, and I miss it kinda terribly. So, here's some stuff that's come out lately that I'd really like to talk about.
Brightblack Morning Light
When I first got this record, I described it to friends as sounding like a bad drug trip. Not like the soundtrack of a bad drug trip, but the album sounds like a bad drug trip feels.
Since then, I've taken that statement back, a little bit.
Bad drug trips don't start off bad. In fact, their opening salvos are often among the best drug experiences you ever have. However, at some point it refuses to level off and things go south. One minute you're in love with everything, the next you are laying in your own vomit and convinced that the ghost living in your parents' attic is trying to drill holes in your skull.
Brightblack Morning Light is chaotic and calm. In that sense, the album is more like a drug stupor than a bad drug trip.
The main distinction (and this is where we round third and head back towards the "bad trip" analogy) is that a lot of our behavior in a stupor is accidental or negligent. Nothing about Brightblack Morning Light is accidental. They are very musically deliberate and agile. Thus, the music is very (and strangely) listenable.
Make any sense? Hope so. Here's a sample mp3: "Everybody Daylight"
Rekid - Made in Menorca
I receive a lot of shit from my friends about my unapologetic love of electronica and dance music. Most of my cred-hungry indie rocker friends won't touch the stuff. This, of course, is ridiculous. Just because some music in a genre stinks doesn't mean that it all stinks. That logic would mean that someone would reject all jazz because of Kenny G, or that they wouldn't listen to country music because they didn't like Faith Hill. Nonsense.
Like any genre, electronica/dance has good music and bad. Often (again like other genres), the most popular or obvious stuff usually isn't the best. Rekid is a perfect example. Rekid's Made in Menorca (aka Made in America) is barely on the music radar at all, but it's one of the best dance records in recent months.
Here's why: Great dance music is like a good play, movie, or story: there is a narrative arc--a beginning, a middle, and an end. Bad dance music starts with a hook and drills it into your head over and over again. It's two-dimensional--it never goes anywhere.
This Rekid album has that narrative element, but in a very understated way.
Here's an mp3 of the song "Lost Star6"
As you listen, you'll notice lots of subtle changes and progression. There is a trance-like beat to it, but things morph and evolve slowly. It's a lot of fun.